10 Asian LGBTQ+ Movies That Make You Cry


The film can be a reflection of reality, demonstrating various interpretations of good and evil. The medium has the magical ability to address taboo topics by wrapping them in metaphors and symbolism, topics such as recognition and acceptance of the LGBTQ+ community.RELATED:Underrated Gems Of Queer Cinema And Where To Find ThemWestern audiences are probably more familiar with the martial arts genre in the Orient, not to mention action stars such as Jackie Chan and michelle yeo. However, Asian cinema has much more to offer moviegoers. As the LGBTQ+ community is mostly shunned in Asian countries, a handful of films act as an extension of the news, exploring this community under pressure and demonstrating how all love is made equal.

Dear Ex (2018)

Same-sex marriage was legalized in Taiwan in 2019 and became the first in Asia to recognize LGBTQ+ rights. Also, Taiwan has released great films about the marginalized group since the 20th century, one of them being by Netflix original movie dear ex (2018).

The film follows a teenager Song Cheng-Xi, who discovers that the beneficiary of his recently deceased father’s life insurance is not his mother, but rather his father’s lover who happens to be a free man. mind. The film offers audiences different perspectives on the characters’ relationships and how each blossoms and fades. It also sheds light on the terrors of closeted homosexuality and how it leads to breaking some hearts despite the best intentions.


Moonlit Winter (2019)

Speaking of hidden homosexuality, moonlit winter (2019) presents an equally sublime take on the subject, albeit in a much slower but beautifully paced rendition.

Similar to dear ex, the South Korean romantic drama also centers on a teenage Sae-Bom who discovers her mother’s secret first love with a Japanese woman. In a hopeful attempt to bring the two together, Sae-Bom convinces her mother to go on a trip to Otaru, Japan, where her unfulfilled love awaits her in the snowy village to make peace.

Godfathers of Tokyo (2003)

A perfect Christmas film to warm the hearts of all cinephiles, Tokyo Godfathers (2003) is a tragicomedy adventure film that follows a group of unrelated homeless people who discover an abandoned baby left in the trash. The trio go in search of the baby’s parents, undeterred by the few clues they have.

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The film is easily the black sheep in the filmography of Satoshi Kon, Japan’s most prominent surreal anime director. Yet one of the misfits is transgender, and she, along with her other homeless friends, is not portrayed as weak and unassertive. Instead, they’re more determined to track down the baby’s parents and challenge the notion of what constitutes “family.”

Happy Together (1997)

The Chinese title comes from an idiom meaning “the display of something intimate”. The vehement intimacy between the two protagonists Ho Po-Wing and Lai Yiu-Fai is evident throughout the film. From their shared raw sexual chemistry to mutual suspicions of infidelities that prove to be too consummate for their relationship.

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Regardless of the countless reconciliations and too many “let’s start over,” the doomed romance between the two is elevated thanks to director Wong Kar-Wai’s exceptional storytelling skills and Christopher Doyle’s beautiful cinematography.

A Bride for Rip Van Winkle (2016)

Based on a novel of the same name, A bride for Rip Van Winkle (2016) tells the story of Nanami, a pitiful woman who cannot make her own decisions and is unhappy with her quiet life. Only by meeting “Rip Van Winkle” – Amuro, she manages to turn her mundane existence into a roller coaster hell.

Nanami is involved in strange acts, such as hiring actors to pretend to be her family and friends. She also takes on the job of a maid for a Japanese pornstar with whom she quickly develops a romantic relationship, locking herself in a bliss that seems almost too good to be true.

Passage of the blue door (2002)

Bisexuality is often a complex matter to deal with on screen without capitulating to the image of promiscuity. Taiwanese coming of age film Passage of the blue door (2002) examines the continuum of bisexuality with both a delicacy and playfulness that invites the audience to understand community.

The female lead, Meng Ke-Rou is a high school student who realizes that she may have developed romantic feelings for her best friend. At the same time, she is also troubled by her attraction to a boy who keeps showing up in an effort to get Ke-Rou to remember him. Who gets who in the end?

Mary is happy, Mary is happy (2013)

Don’t be fooled by the obviously cheerful title because this coming-of-age drama turns sinister pretty quickly. The Thai black comedy is created from a compilation of 410 real Tweets by an anonymous girl, focusing on Mary and her best friend Suri trying to make a yearbook for their fictional high school.

The film often incorporates fantasy elements and pop culture references to elaborate on the girls’ high school lives. In a tale of the struggles of growing up, hopeless romantics deal with life’s darknesses with a confused sense of direction and tangled bundles of feelings.

Tight Knit (2017)

One of the few films that makes touching breasts incredibly moving and meaningful. Struggling with issues of being abandoned by her insensitive mother, 11-year-old Tomo temporarily moves in with her uncle and his transgender girlfriend Rinko. Compassionate Rinko with a quirky sense of humor reassures Tomo as she strives to be more aware of LGBTQ+ issues in Japan.

In the film, Rinko can be seen ostracized from an early age due to her revelation that she is a woman from the bottom of her heart. What makes her sure to stay true to her identity is having a parent who encourages and supports who she wants to be.

Intimates (1997)

Lingerie (1997) is made up of two stories, one set in the 1940s and the other in the 1990s. The first details the budding love between two women, Wan and Foon, who hid their romance secret and were separated during the Japanese invasion of Hong Kong. . The other storyline focuses on the much older Wan as she visits Hong Kong in search of her long-lost love.

The film also explores women’s rights in the 1940s and spotlights the “Comb Sisters”, women who imitated married women’s hair with a determination to remain single for life.

Farewell My Concubine (1993)

In this grandiose tale of the blurring of lines between life and stage, the 1993 historical drama chronicles the troubled relationship between two Peking opera singers, Cheng Die-Yi and Duan Xiao-Lou. Trampled by ambiguity and madness, their bond is further tested when Duan marries a courtesan on top of the chaos caused by the aftermath of the Cultural Revolution in China.

Farewell my concubine delves into the confusion of identity, resulting from Cheng’s unrequited childhood love for Duan and their respective roles in the Peking Opera troupe.

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