5 movies to stream on Criterion Channel [Unscripted column] | Entertainment

Since the start of 2022, my wife and I have watched a movie on the Criterion Channel almost every night. Sometimes more than one. In fact, if I shared the exact number of movies we’ve watched since the start of the new year, some readers would probably accuse me of writing fiction. Let’s say it’s a lot.

I don’t know how I lived before I got access to Criterion Channel. But I don’t think about the old me. Now all I can think about is the nearly unlimited movie bounty that’s just a click away.

The beauty of Criterion Channel is its extensive curated library of movies that you really can’t find in any other single source.

Its streaming library includes, as described on its website, 1,000 “significant classic and contemporary films, plus an ever-changing selection of Hollywood, international, arthouse, and independent films from major studios and dozens. independent distributors”.

The Criterion Channel has something for everyone, from experimental shorts and documentaries to classic noir thrillers, dramas and comedies.

Here are five films from five different genres that I recommend streaming on the Criterion Channel right now.

“Recess Time” (1967)

French director Jacques Tati wrote, directed and starred in his colorful masterpiece of physical and visual comedy. Tati reprises his role as the clumsy but well-meaning Monsieur Hulot – a role he had played in previous films – as he moves through ultra-modern Paris. There are seemingly endless visual jokes to uncover in this moving piece of light and sweet comic surrealism that’s sure to reward multiple views. Tati’s film suggests that the world can be seen in a different, funnier and more human way if you bend the camera a bit.

“Alice in the Cities” (1974)

Wim Wenders is quickly becoming one of my favorite directors. “Alice in the Cities” follows a jaded journalist as he tries to reunite a young girl with her family. This is the first film of what is called his “Road Trilogy”. This black-and-white film is hard to fit into a genre (which is a good thing, in my opinion) but probably falls better in the drama or road movie categories, although there are plenty of laughs, and it is also a kind of love story.

“Come and See” (1985)

This film reminded me why it is important to engage in art that deals with difficult subjects and does not shy away from the darker side of human history. Russian filmmaker Elem Klimov’s anti-war film ‘Come and See’ follows a teenager as he joins the Belarusian resistance to the Nazi invasion of the Soviet Union in World War II and all the horror he is witness. It’s probably the most powerful movie I’ve ever seen, and there are images, both beautiful and horrific, that I’ll never forget.

“Lenny Cooke” (2013)

Before the Safdie brothers delved into the world of sports betting with their frenetic film “Uncut Gems” (2019), they made a documentary about a basketball player who was almost a household name. Lenny Cooke was supposed to be as popular as LeBron James (who appears in the film as Cooke and James square off on the court at a high school basketball camp), but his dream of becoming an NBA star never materialized. It’s a poignant sports story and a great documentary for basketball fans as well as movie buffs.

“Them” (2006)

First off, I’m not trying to be a badass, but few horror movies really scare me. I always appreciate them, but I really like it when I’m really scared or later find myself in bed wondering if I heard something. (Yes, I was scared of some of the “Paranormal Activity” movies.) There’s a certain kind of horror movie that does that for me. Usually, it’s the one where danger lurks just outside of the camera’s view while he plays with your mind. Think more suggestive than downright gory. This French-Romanian horror film from 2006 is that kind of film for me. It also claims to be based on a true story and, whether it is or not, kicks things up a notch or two.

Mike Andrelczyk is a staff writer at LNP. “Unscripted” is a weekly entertainment column produced by a rotating team of writers.


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