Modern documentaries – Ghosts Of Abu Ghraib http://ghostsofabughraib.org/ Wed, 29 Jun 2022 07:05:15 +0000 en-US hourly 1 https://wordpress.org/?v=5.9 https://ghostsofabughraib.org/wp-content/uploads/2021/11/icon-120x120.jpg Modern documentaries – Ghosts Of Abu Ghraib http://ghostsofabughraib.org/ 32 32 ‘Cunningham’ Coming Soon to Disney+ (UK/Ireland) – What’s New on Disney Plus https://ghostsofabughraib.org/cunningham-coming-soon-to-disney-uk-ireland-whats-new-on-disney-plus/ Wed, 29 Jun 2022 07:05:15 +0000 https://ghostsofabughraib.org/cunningham-coming-soon-to-disney-uk-ireland-whats-new-on-disney-plus/ Disney has announced that the documentary “Cunningham” will be available on Disney+ in the UK and Ireland on Friday July 29, 2022. “Cunningham” follows the artistic evolution of Merce Cunningham over three decades of risk and discovery (1944-1972), from his early years as a struggling dancer in post-war New York to his emergence as a […]]]>

Disney has announced that the documentary “Cunningham” will be available on Disney+ in the UK and Ireland on Friday July 29, 2022.

“Cunningham” follows the artistic evolution of Merce Cunningham over three decades of risk and discovery (1944-1972), from his early years as a struggling dancer in post-war New York to his emergence as a as one of the most visionary choreographers in the world. 3D technology weaves Merce’s philosophies and stories together, creating a visceral journey in his innovative work. A breathtaking explosion of dance, music and never-before-seen archival material, ‘Cunningham’ is a timely tribute to one of the world’s greatest modern dance artists.

The documentary was directed by Alla Kovgan and is produced by Helge Albers, Ilann Girard, Alla Kovgan, Elizabeth Delude-Dix, Kelly Gilpatrick, Derrick Tseng



Roger Palmier

Roger has been a Disney fan since he was a child and that interest has grown over the years. He has visited Disney parks around the world and has an extensive collection of Disney movies and collectibles. He is the owner of What’s On Disney Plus & DisKingdom. Email: Roger@WhatsOnDisneyPlus.com Twitter: Twitter.com/RogPalmerUK Facebook: Facebook.com/rogpalmeruk




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The Irwin family bid farewell to 18-year-old Robert as he ‘prepares to fly into the nest’ https://ghostsofabughraib.org/the-irwin-family-bid-farewell-to-18-year-old-robert-as-he-prepares-to-fly-into-the-nest/ Mon, 27 Jun 2022 05:01:53 +0000 https://ghostsofabughraib.org/the-irwin-family-bid-farewell-to-18-year-old-robert-as-he-prepares-to-fly-into-the-nest/ Robert Irwin has long spoken of his desire to follow in the footsteps of his late father Steve. And reports now claim the 18-year-old made the momentous decision to leave his family home at Australia Zoo in Queensland and travel the world making nature documentaries – just like his father. “He loves Australia Zoo and […]]]>

Robert Irwin has long spoken of his desire to follow in the footsteps of his late father Steve.

And reports now claim the 18-year-old made the momentous decision to leave his family home at Australia Zoo in Queensland and travel the world making nature documentaries – just like his father.

“He loves Australia Zoo and everything his parents have built together, but he’s ambitious and wants to get out and see the world – hopefully with a film crew right behind him, just like Steve did,” a source told New Idea magazine on Monday.

Robert Irwin, 18 (pictured), is said to have decided to leave his family home at Australia Zoo in Queensland to pursue his dream of filming nature documentaries overseas – just like his late father Steve

“He wants to be a mix of his dad and David Attenborough,” the insider explained.

Robert, who is an award-winning nature photographer, is reportedly planning to visit South Africa, having fallen in love with the country during a family visit in 2018.

While Robert may have stars in his eyes. the insider claims his sister Bindi, 23, is heartbroken to say goodbye to her beloved brother.

“He loves Australia Zoo and everything his parents have built together, but he’s ambitious and wants to get out and see the world – hopefully with a film crew right behind him, just like Steve did,” a source told New Idea magazine on Monday. Robert is pictured as a child with his father Steve

Robert, who is an award-winning nature photographer, is reportedly planning to visit South Africa, having fallen in love with the country during a family visit in 2018.

Robert, who is an award-winning nature photographer, is reportedly planning to visit South Africa, having fallen in love with the country during a family visit in 2018.

“She knows Robert deserves to live his dreams and he enthusiastically tells her about his plans, but it makes her very emotional. She never knew a life without him,” they claimed.

Daily Mail Australia has contacted the Irwin family for comment.

It comes after Robert paid tribute to his father on World Crocodile Day by sharing a photo on Instagram of himself feeding a crocodile at Australia Zoo recently, alongside a picture of his father doing the same many years ago.

While Robert may have stars in his eyes.  the insider claims his sister Bindi, 23 (right), is heartbroken to say goodbye to his beloved brother

While Robert may have stars in his eyes. the insider claims his sister Bindi, 23 (right), is heartbroken to say goodbye to his beloved brother

“She knows Robert deserves to live his dreams and he enthusiastically tells her about his plans, but it makes her very emotional.  She never knew a life without him,” they claimed.  Bindi is pictured with Robert and her husband Chandler Powell (far left)

“She knows Robert deserves to live his dreams and he enthusiastically tells her about his plans, but it makes her very emotional. She never knew a life without him,” they claimed. Bindi is pictured with Robert and her husband Chandler Powell (far left)

It comes after Robert paid tribute to his father on World Crocodile Day by sharing a photo on Instagram of himself feeding a crocodile at Australia Zoo recently, alongside a photo of his father doing the same thing many years ago.

It comes after Robert paid tribute to his father on World Crocodile Day by sharing a photo on Instagram of himself feeding a crocodile at Australia Zoo recently, alongside a photo of his father doing the same thing many years ago.

“It is the greatest honor of my life to be able to follow in my father’s footsteps and help keep his legacy and mission alive. Especially when it comes to crocodiles,’ the Crikey! It was the Irwins star who wrote it in his caption.

“I feel closest to him one-on-one with the animal he loved so much – a beautiful, powerful, prehistoric and misunderstood animal that commands enormous respect.”

Robert concluded by encouraging his fans to “love, respect and co-exist with these remarkable modern-day dinosaurs.”

Steve, known to millions around the world as the “Crocodile Hunter”, died on September 4, 2006, aged 44, after being stabbed in the chest by a stingray while filming a a documentary at Batt Reef, Queensland.

After his death, Steve’s family, including his children Robert and Bindi, widow Terri and son-in-law Chandler Powell, continued their conservation work at Australia Zoo on the Sunshine Coast.

Steve, known to millions around the world as

Steve, known to millions around the world as the “Crocodile Hunter”, died on September 4, 2006, aged 44, after being stabbed in the chest by a stingray while filming a a documentary at Batt Reef, Queensland. Pictured: Steve and Terri Irwin

After his death, Steve's family, including his children Robert (right) and Bindi (second from left), widow Terri (second from right) and son-in-law Chandler Powell (left) continued his conservation work at the sunny coast australia zoo

After his death, Steve’s family, including his children Robert (right) and Bindi (second from left), widow Terri (second from right) and son-in-law Chandler Powell (left) continued his conservation work at the sunny coast australia zoo


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Two-Spirit People Address Anti-LGBTQ Silence and Violence https://ghostsofabughraib.org/two-spirit-people-address-anti-lgbtq-silence-and-violence/ Fri, 24 Jun 2022 19:54:26 +0000 https://ghostsofabughraib.org/two-spirit-people-address-anti-lgbtq-silence-and-violence/ As violence against Two-Spirit people continues on Indigenous tribal lands across North America, advocates hope their voices can be heard to prevent hate crimes against their people. “Two-Spirit” is a relatively new umbrella term, described as an English (or colonized) construction to identify gender-nonconforming Indigenous peoples. The terminology was picked up by Native Americans and […]]]>

As violence against Two-Spirit people continues on Indigenous tribal lands across North America, advocates hope their voices can be heard to prevent hate crimes against their people.

“Two-Spirit” is a relatively new umbrella term, described as an English (or colonized) construction to identify gender-nonconforming Indigenous peoples. The terminology was picked up by Native Americans and varies from tribe to tribe, though many recognized third-gender roles long before colonization in America, according to the Human Rights Campaign – and gender nonconforming Indigenous peoples were often revered in their respective relationships. communities, like the Crow Nation.

Before Western religion came to North America with far less fluid stances on sexuality—and then a marginalized Native American culture—many Two-Spirit people were considered blessed by their Creator for incarnating male and female spirits within them, according to Two-Spirit musician Tony Enos, writing for Indian Country Today.

However, tracing the exact history of Two-Spirit people has proven difficult, as much writing on the subject today was written by early European settlers who held biased opinions.

“Imagine going from your country where you are a famous two-spirited individual, to a boarding school where you are assigned your gender, with all reluctance about it being beaten,” Enos explained. “For many of our boarding school survivors – and those who didn’t – this was their reality. As a result, much more needs to be done to heal internalized socio-political stigma, phobia, and lateral oppression in the Two-Spirit community.

Wako John Hawk Co-Cke’ is a retired Certified Prevention Specialist for Behavioral Health in Oklahoma and identifies as transgender and Two-Spirit. They said Oxygene.com that the oppression of Two-Spirit people has spanned generations, affecting mental health today.

“The two-spirit culture was right: we taught sexuality. We have helped you with your gender identity. We helped you figure out who you were. We were healers,” Co-Cke’ said. “But because of the tyranny of the church and the government, we had to be buried with it. So we start all over again. »

Violent crimes against Two-Spirit people have continued into modern times, as highlighted in the 2011 PBS documentary “Two Spirits.” The film revolved around the brutal 2001 murder of 16-year-old Navajo teenager Fred Martinez, whose clubbed body was found in a shallow canyon in Colorado, according to the Washington Post. The killer, Shaun Murphy, 18, did not know the teenager but later boasted to friends that he had ‘beaten af**’.

Martinez was “nádleehí”, which described him as a “male-bodied person with a feminine nature”, in keeping with Navajo culture. The direct translation in his tribe meant “one who constantly transforms”, according to the documentary.

Murphy confessed to beating Martinez to death with what investigators believed was a rock and was sentenced to 40 years behind bars in 2002, according to The Journal. He was paroled in 2018.

The violence also scarred the life of 25-year-old Aubrey Dameron, who disappeared from her home in Grove, Oklahoma, in the Cherokee Nation in the early morning hours of March 9, 2019.

Dameron has called herself a Two-Spirit and faced backlash for her lifestyle, which is why authorities haven’t prioritized her disappearance, according to relatives. The local sheriff regularly spoke about Dameron’s ‘unique’ and ‘high-risk’ lifestyle, as well as the fact that Aubrey was ‘very sexually active’ – even in interviews with Oxygene.com.

Dameron’s aunt Pam Smith said Oxygene.com that his disappearance was “a heartache, again and again”.

“It meant the world to Aubrey to be part of the two-spirit community,” Smith said. “She embraced him more each time she learned more about herself.”

Dameron’s search led to several cadaver dogs banging on a tarp in a shed at her home and the discovery of bloody clothing in a nearby ditch. However, she has not yet been found.

“There is hope that we will have answers one day,” Smith added.

The stabbing death of Jamie Lee Wounded Arrow in 2017 also rocked the Indigenous and LGBTQ+ communities. Wounded Arrow, who identified as two-spirited, was found dead in her apartment in Sioux Falls, South Dakota, after neighbors complained about the smell of the body rotting, according to Chief Argus.

Wounded Arrow met his killer, Joshua LeClaire, at a halfway house. During his interviews with the police, LeClaire oscillated between claiming he was drunk and had no recollection of the murder and claiming that Wounded Arrow made unwanted sexual advances on him.

He was convicted of murdering Wounded Arrow and sentenced to 65 years in prison.

According to the Tribal Information Exchange, 78% of Two-Spirit women have experienced physical assault, while 85% have been sexually assaulted. Studies have found this to be four times higher than the estimate for women in the general population.

Yet many Two-Spirit people do not report their abuse.

The Tribal Information Exchange also cited a 2011 study by the National Gay and Lesbian Task Force showing that 56% of Two-Spirit participants had attempted suicide.

Murder continues to be the third leading cause of death for Native American women, according to the Urban Indian Health Institute.

Co-Cke’ told Oxygen.com that unification is imperative to bringing peace to the two-spirit community.

“We have to stop all of this,” Co-Cke’ told Oxygen.com. “We must be a human nation. We must be the rainbow nation. We must be together.

“Silence is the worst,” they added.

To learn more about the Two-Spirit community, the Substance Abuse and Mental Health Services Administration (SAMHSA) regularly hosts several webinars, including resources on parenting and wellness within the Two-Spirit community.


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Screening and Q&A of the documentary series No Address Atlanta https://ghostsofabughraib.org/screening-and-qa-of-the-documentary-series-no-address-atlanta/ Thu, 23 Jun 2022 00:47:00 +0000 https://ghostsofabughraib.org/screening-and-qa-of-the-documentary-series-no-address-atlanta/ Unaddressed Documentary Series Questions and Answers Watch Politics Done Right TV here. No address: Atlanta revisits the 1996 Olympics, where modern criminalization began, and presents its growth up to the Super Bowl 2019, the closure of one of the largest shelters called “Peachtree and Pine” and the current challenges of COVID-19 as well as a […]]]>

Unaddressed Documentary Series Questions and Answers

Watch Politics Done Right TV here.

No address: Atlanta revisits the 1996 Olympics, where modern criminalization began, and presents its growth up to the Super Bowl 2019, the closure of one of the largest shelters called “Peachtree and Pine” and the current challenges of COVID-19 as well as a solution!

Caletta Harris, the director of the No Address Documentary series, did it again with Part 2 featuring Atlanta, GA. This documentary will premiere at the historic Plaza Theater in Atlanta, Georgia on Wednesday, June 22, 2022 at 7 p.m., followed by a Q&A with the director and prominent panelists.


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Writing with fire | midland express https://ghostsofabughraib.org/writing-with-fire-midland-express/ Tue, 21 Jun 2022 23:23:55 +0000 https://ghostsofabughraib.org/writing-with-fire-midland-express/ Writing With Fire will be screened on July 2 as part of this year’s Castlemaine Documentary Festival. The countdown is on to Castlemaine Documentary Festival 2022, taking place at the Theater Royal from July 1-3. The theme for this year’s event is ‘Making the Possible Possible’ and the team behind this year’s event have once […]]]>

Writing With Fire will be screened on July 2 as part of this year’s Castlemaine Documentary Festival.

The countdown is on to Castlemaine Documentary Festival 2022, taking place at the Theater Royal from July 1-3.

The theme for this year’s event is ‘Making the Possible Possible’ and the team behind this year’s event have once again exceeded expectations to find a range of films that feature ‘true stories’. Real problems. Real characters. Real Conversations’.

Festival director Claire Jager said many of this year’s films tackle the big, heavy ideas that consume us and are told through the distinctive and intimate lens of each filmmaker’s vision.

“True stories about people creating change, who are driven to rebel. They help us see what is possible, telling us real stories with all the drama and complexity that we humans face,” Jager said.

A good example is write with firewhich will screen on Saturday, July 2 at 1:30 p.m. and is a rousing documentary about the tenacious reporting from below and the galvanizing of resistance.

Armed with smartphones, a fearless group of pioneering journalists from India’s only female-run media risk everything, including their own safety, to confront social injustice while fighting for marginalized voices in the world’s largest democracy.

Chief Reporter Meera and her reporters are breaking tradition, whether on the front lines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.

Born into a poor Dalit (“low caste”) family and married at 14, Meera went against her conservative culture to study and become a journalist.

Meera leads her team of 28 semi-literate, professionally trained journalists to transform the newspaper into a regional digital press force.

As her team experiences their first taste of digital democracy, their video reports on corruption, violence against women, rutted roads and inadequate public health care begin to catch on, disrupting mainstream news outlets run by women. men.

In the film, we see this journey – fraught with threat, danger, hope and sacrifice – through the eyes of our central protagonist Meera and her fiery protege, Suneeta.

Directors Rintu Thomas and Sushmit Gosh say write with fire is a story of our time.

“This is the first time that modern Dalit women will be seen on screen, not as victims of their circumstances but as writers of their own destiny,” they said.

“India is a deeply complex country. For over 3000 years, we have had a social hierarchy in place that divides Indian society into four distinct groups of people, known as the caste system.

“Like racism, it is a system of exclusion but worse, because caste is invisible.

“A person is considered a member of the caste they were born into and remains in that caste until their death, caste sticks to the deepest part of your being – your identity,” the administrators said.

The film will be followed by a panel discussion moderated by longtime Castlemaine moderator and host, Suzanne Donisthorpe. She will be joined by artist Tracey Naughton and speaker and documentarian Shweta Kishore.

Naughton’s core interest is in the textile arts, public art and technology, particularly the content they convey, as a means of fostering democratic participation, communication and development.

Kishore lectures on screen and media at RMIT University and is a documentary practitioner and author of Indian Documentaries and Filmmakers: Independence in Practice (2018). Shweta’s research focuses on Indian documentaries, feminist films and film festivals.

To book your tickets for write with fire and other C-DOC screenings, visit the website at cdocff.com.au


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HBCU GO celebrates Juneteenth with two documentaries https://ghostsofabughraib.org/hbcu-go-celebrates-juneteenth-with-two-documentaries/ Sun, 19 Jun 2022 23:09:23 +0000 https://ghostsofabughraib.org/hbcu-go-celebrates-juneteenth-with-two-documentaries/ Source: Courtesy/HBCU GO HBCU GO, the primary media provider for the nation’s 107 Historically Black Colleges and Universities (HBCUs), has released two documentaries to commemorate the June 19 holiday. “Portraits’ N Color: Re-Powered” and “History Half Told Is Untold”. These two compelling, unscripted documentaries will explore the meaning of freedom and the experience of Black […]]]>

Source: Courtesy/HBCU GO

HBCU GO, the primary media provider for the nation’s 107 Historically Black Colleges and Universities (HBCUs), has released two documentaries to commemorate the June 19 holiday. “Portraits’ N Color: Re-Powered” and “History Half Told Is Untold”. These two compelling, unscripted documentaries will explore the meaning of freedom and the experience of Black people over the holiday weekend.

Lashonia in Portraits 'N Color: Reimagined Editorial Photos

Source: Kristin Adair / Courtesy

“Portraits’ N Color: Re-Powered,” a documentary featuring a series of shorts produced by Kristin Adair, CEO of Unchained Stories, weaves together the personal stories of three women from Washington, DC, New Orleans, and Milwaukee. . Supplemented by a grant from the Public Welfare Foundation (PWF), the program follows fellow grantees and trailblazers as they tackle unjust policing systems, the profound consequences of violence, and reinvent new solutions that transform their communities. inside.

The hour-long special includes interviews with PWF grantees Lashonia Tate and Ms. Adair, as well as an interview with Candice C. Jones, president and CEO of the Public Welfare Foundation, a committed endowment fund transforming communities, especially those of color, for 75 years.

Brittany and Son Portraits 'N Color: Editorial Photos Revisited

Source: Kristin Adair / Courtesy

“History Half Told Is Untold” tells the story of Williamsburg’s historic First Baptist Church, established over 245 years ago, in 1776. Considered one of the first black churches in America, the church was organized by a group of free and enslaved black people, despite laws that prohibited black people from gathering at the time.

Over the centuries, the historic First Baptist Church has witnessed slavery, the civil rights movement, and the modern era of black history in America. Martin Luther King, Jr. spoke from behind his pulpit almost 60 years ago. In September 2016, the church’s “freedom bell” was brought to Washington, D.C. and rung by President Barack Obama and Ruth Odom Bonner to mark the opening of the National Museum of Afro History and Culture. -American on the National Mall. The documentary will air on Sunday, June 19 at 8:00 p.m. ET.

THE STORY HALF TOLD IS UNTOLD key art

Source: Courtesy/HBCU GO

“Juneteenth is an incredibly important historical mark in American history that should be more fully realized, explored, and excavated,” HBCU GO President Curtis Symonds said in a statement. “We are proud to present these two separate special documentaries exploring the roots of the black church and the untrumpeted pioneers fighting on the front lines for transformative justice.”

HBCU Go is a leading cultural lifestyle destination and sports media provider that embraces and represents the voice of Black excellence every day of the year through an all-new platform that captures the rich history, the diversity, perspectives, and cultural experiences of historically black colleges and universities. The network also provides a platform for emerging creatives in media production, branding and broadcasting. Comedian-turned-media mogul Byron Allen bought the free streaming service in 2021.

HBCU GO Juneteenth holiday specials commemorating the emancipation of enslaved black people in the United States are available on HBCUGO.TV, Roku, Amazon Fire TV and Apple TV. Viewers can also access programs by downloading the HBCU GO app.

For more information on HBCU GO, visit HBCUGO.TV or follow them on Facebook, TwitterYouTube and Instagram.

SEE ALSO:

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Father taking care of his baby at home

23 pictures

HBCU GO commemorates Juneteenth with two special documentaries originally posted on globalgrind.com



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The Humans Behind Comedy Icons Lucille Ball, Desi Arnaz https://ghostsofabughraib.org/the-humans-behind-comedy-icons-lucille-ball-desi-arnaz/ Fri, 17 Jun 2022 23:00:18 +0000 https://ghostsofabughraib.org/the-humans-behind-comedy-icons-lucille-ball-desi-arnaz/ Amy Poehler turned to directing and producing the documentary “Lucy & Desi”. (Amy Harrity / For The Time) Actress, comedian and director Amy Poehler’s new documentary, “Lucy and Desi”, intimately features the spectacularly talented duo of Lucille Ball and Desi Arnaz, mostly told through never-before-seen audio tapes of the pair. With finesse and equal weight […]]]>

Amy Poehler turned to directing and producing the documentary “Lucy & Desi”.

(Amy Harrity / For The Time)

Actress, comedian and director Amy Poehler’s new documentary, “Lucy and Desi”, intimately features the spectacularly talented duo of Lucille Ball and Desi Arnaz, mostly told through never-before-seen audio tapes of the pair. With finesse and equal weight given to both sides of the team, Poehler wraps viewers in the professional and private worlds of pioneering artists.

“There are a million versions of Lucy and Desi’s story,” Poehler explains, “and part of the excitement of creating the film is that you can focus on whatever you choose. I wanted to show the world human beings behind the icons.

As an “I Love Lucy” fan, I – and probably most people – thought I knew a lot about Lucille Ball and Desi Arnaz. What I didn’t know was how traumatic their childhood had been. And it was a strong trauma without help. Is this something you knew at the beginning of the project or did it also surprise you?

No, like you, I didn’t know. It’s interesting to discuss trauma; we look at this word, “trauma,” and it wasn’t a word used in the 50s and 60s. Lucy and Desi were from a generation where there just wasn’t a lot of discussion about what was happening to you; How are you ? There were no words related to it. Even the idea of ​​it being labeled as such, how the things that happened to you could somehow affect you in your life was an alien concept that didn’t exist. It’s such a new idea.

The fact that Desi Arnaz even walked straight is pretty amazing, not to mention achieving everything he’s done.

Yes, he must have watched his city burn behind him as he left his home [during the 1933 Cuban Batista revolution] with his imprisoned father and his whole family torn apart and coming to a country where he didn’t speak the language and had really lost everything in his life. I think people assume that because he was not from this country he had a really difficult experience growing up but, in fact, he was in a very privileged family with a lot of access and money, and everything disappeared instantly.

And Lucia?

Lucy had this very hard-working childhood in upstate New York [and] then had a family tragedy where his father died prematurely and his grandfather went bankrupt by accident. The reason it’s important to tell their stories is because they made these really big bets, they really bet on themselves over and over – and on each other – and that was because they had an idea of ​​what it felt like to lose everything. too much has been taken away from them. They also had a very interesting relationship with work and success because of it.

A 1942 photograph of Lucille Ball and Desi Arnaz standing together outside their home.

A 1942 photograph of Lucille Ball and Desi Arnaz at their Chatsworth home.

(MPTV)

They were obviously both workaholics – another more modern term.

[Laughs] Yes, the idea of ​​a woman like Lucy at that time being responsible in any way was so novel and unique. But, also, Desi was in many ways a complete stranger in this world too, and they both had this incredible journey in their own lives where they had access to places where Cuban Americans and women weren’t not allowed to enter the room.

You also balanced their two contributions in the film; so many times he is portrayed as some sort of lucky sidekick. Still, his accomplishments were significant and enduring in the industry.

I think the Desi story has been kind of lost. My question was: what does a successful partnership look like? I could list all day the long accomplishments of Lucy and Desi and how successful they were, how ahead of their time they were and how funny and talented they were, but it’s also amazing everything they accomplished after they weren’t officially “together” anymore. They were two people who were truly willing to do their best as a pair – and how they continued to work together. Their third act really interests me after the end of “I Love Lucy”.

Hearing their own voices on private tapes was so intimate and revealing…

One of the goals with people like Lucy and Desi becoming iconic characters – you kind of forget they were human. I really wanted to keep them alive, and the best way to do that is to hear their voices. I had a more unique position with this documentary. Often in a documentary space, it’s “Hey, there’s this world you don’t know, let me take you there.” But with Lucy and Desi, they’re so well known that it’s the other side, “Actually, there’s two humans here, let me tell you about that.”

There’s Lucy’s quote on tape where she says she got into acting only because she had no other ideas left. And how she’s not a particularly funny person. She doesn’t “think” funny.

She came to acting as an actress; she entered through this door. She studied it very hard and learned her trade, of which she was proud. And that’s part of why the show has such a long history. Many people ask why the series is still so watchable. My answer is: 1) Desi insisted on it being filmed, so it still looks great. 2) Lucy was an actress who played everything very real and grounded, so her performance is always so entertaining. There’s never a scene where Lucy isn’t really in the moment.

A woman in a light blue suit sits for a portrait against a white background.

“My question was: what does a successful partnership look like? I could list all day the long accomplishments of Lucy and Desi and how successful they were, how ahead of their time they were and how funny and talented they were, but it’s also amazing everything ‘they accomplished after they weren’t officially ‘together’ anymore,” Poehler said.

(Amy Harrity / For The Time)

What was it like working with their daughter, Lucie Arnaz Luckinbill?

Lucie gave us a lot of access. I loved working with her because I really like her as a person – I find her really warm and open. It can’t be easy to constantly share your parents and family with the world. She was able to give us perspective, especially at the end of her parents’ lives where they were and how they felt about each other. I was really grateful that she was able to do this. She also wanted us to go there and tell the story that we wanted to tell and I think she’s happy with what we were able to tell.

How has the documentary been received, especially from fans?

It was great, especially with Amazon [Prime Video] and the fact that they were able to throw it so beautifully into so many homes at once. I also don’t lose sight of how anxious we all feel and a lot of people turn to comedy when they’re feeling particularly isolated – a lot of people have turned to “I Love Lucy” during this whole period. Comedy has a way of helping people feel that human connection. It was an amazing project to work on during COVID and still laugh and think about the big themes of talented comedy partnerships.


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Dive into SBS On Demand’s collection of outrageous stories https://ghostsofabughraib.org/dive-into-sbs-on-demands-collection-of-outrageous-stories/ Fri, 17 Jun 2022 00:13:54 +0000 https://ghostsofabughraib.org/dive-into-sbs-on-demands-collection-of-outrageous-stories/ Traitor This stylish and thrilling cat-and-mouse drama from Estonia is inspired by real-life spy scandals. Alfred is a civil servant at the Ministry of Defense, all pissed off by office politics and a tangled personal life. A combination of angst and umbrage leads him to agree to work for the Russian secret services. Major Arrak […]]]>

Traitor

This stylish and thrilling cat-and-mouse drama from Estonia is inspired by real-life spy scandals. Alfred is a civil servant at the Ministry of Defense, all pissed off by office politics and a tangled personal life. A combination of angst and umbrage leads him to agree to work for the Russian secret services. Major Arrak is a determined young Estonian counter-intelligence officer who pursues Alfred’s tail. It is 2004, Estonia is about to join NATO and neighboring Russia is watching the situation very closely.

Spy drama in six episodes Traitor premieres exclusively in Australia and is now streaming at SBS on request.

Maxwell’s House

British media mogul Robert Maxwell and his family are forever linked to the scandal. This comprehensive yet concise BBC documentary spans five decades, exploring the exponential rise and dramatic fall of the Maxwell dynasty. Covering scandals such as mysterious deaths and criminal trials, to the recent conviction of sex offender Ghislaine Maxwell, the three-parter tells the staggering story of this notorious family and reflects on changing societal attitudes towards money, sex and power.

Maxwell’s House premieres exclusively in Australia at 8:30 p.m. on SBS and SBS On Demand on Thursday, June 16. Episodes air weekly.

A class apart

Class is in session at Sweden’s most elite boarding school. But only super-rich kids can hope to join the top-secret Zebra Club. The day after two potential members are hazing, one ends up dead. Encountered with the silence of the school community, accusing eyes turn to the children of public schools. When one of her underprivileged students is accused, Sara Boden (Aliette Opheim, Patriot, Courage) is unleashed on social media, prompting the exclusive school to offer him a job to appease the critics. Seizing a chance to bring down the power structure from within, Sara agrees. This is a thrilling eight-part drama from the masters of television.

A class apart premieres exclusively in Australia and is now streaming at SBS on request.

You won’t lie

From Spain comes this drama with a twist. It starts with a sex scandal – a video is leaked, revealing high school teacher Macarena having an affair with a student. Her reputation is shattered, but she also becomes the prime suspect when a body winds up at the base of the cliffs of the idyllic coastal town where her life falls apart. Irene Arcos, whom SBS viewers might recognize The pierplays the role of Macarena.

You won’t lie premieres exclusively in Australia and is now streaming on SBS On Demand.

Fugue

In Paris, teenager Léa runs away from home when her parents try to divert her attention from nightclubs and focus on her studies. She throws herself into the arms of Nico, a rapper who wants her in his music videos. She falls in love with him and he takes advantage of her romantic state. How can Léa’s parents get her back when she’s obsessed with Nico, blinding her to her shady dealings? This heart-pounding French-Canadian drama is packed with great performances, including from Sylvie Testud (Life in pink) as Léa Isabelle’s mother and Romane Jolly as Léa.

Fugue premieres exclusively in Australia at SBS On Demand on Thursday, June 30.

Algiers Confidential

In this thrilling spy drama set in modern-day Algeria, a German police investigator is sent to Algiers in search of two fellow countrymen – arms dealers – who have been kidnapped. Starting a torrid affair with an Algerian prosecutor investigating the case for his country probably wasn’t the best idea, but as the pair delve deeper, they uncover a corruption scandal testing their loyalty to their nations and to each other. the other. There are plenty of subplots and mysteries to unravel to keep you hooked on this German-in-French production.

Algiers Confidential premieres exclusively in Australia and is now streaming on SBS On Demand.

The unusual suspects

If you haven’t figured it out yet, this four-part Australian drama is an entertaining and satisfying must-watch, with all-female leads, played by Miranda Otto, Michelle Vergara Moore, Aina Dumlao, Susana Downes, Heather Mitchell and Susie. Carry. Supporting cast including Peter O’Brien, Matt Day and Toby Leonard Moore. We love this warm and fun series, which features Filipino protagonists on Australian television for the first time.

The unusual suspects is now streaming at SBS on request. You can also stream the series with Arabic, Filipino, Hindi, Korean, Simplified Chinese, and Vietnamese subtitles.

Miss S

A beautiful, witty socialite and a focused, serious detective inspector make an unlikely crime-fighting duo, and is it a mutual attraction we see? If this premise sounds familiar, it’s because Miss S is the Chinese adaptation of the popular Australian Miss Fisher’s Murder Mysteries. Set in 1930s Shanghai, the costumes are just as glamorous as those sported by Essie Davis in our local version, and the protagonists are perfectly chosen to deliver chemistry that sizzles on screen, as they investigate crimes. and the scandals of the time.

Miss S is now streaming at SBS on request.

Browse other scandal-soaked drama and documentary series currently airing on SBS On Demand, including Borgen, framed and Hard, Sex Party Secrets, Swingers and Pompeii: the city of sin.


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Saudi Arabia to host Arab Broadcasting Festival in November https://ghostsofabughraib.org/saudi-arabia-to-host-arab-broadcasting-festival-in-november/ Mon, 13 Jun 2022 23:47:55 +0000 https://ghostsofabughraib.org/saudi-arabia-to-host-arab-broadcasting-festival-in-november/ DHAHRAN: It’s taken more than three decades, but there’s finally a documentary about the first Gulf War from 1991 that offers an intense look at the emotional and mental toll of that conflict. “Memories from the North”, which won Best Short Documentary at the recent Saudi Film Festival in Ithra, was produced, directed and written […]]]>

DHAHRAN: It’s taken more than three decades, but there’s finally a documentary about the first Gulf War from 1991 that offers an intense look at the emotional and mental toll of that conflict.

“Memories from the North”, which won Best Short Documentary at the recent Saudi Film Festival in Ithra, was produced, directed and written by Abdulmohsen Al-Mutairi, a gifted storyteller and Arabic-speaking journalist.

Al-Mutairi used vintage television clips, family archive footage, independent interviews and a soundtrack that included sirens to reproduce the feelings of terror and confusion that marked the times of many in the country.

Still from the award-winning documentary Memories from the North.

“The documentary appears to me as a chapter of [a] book because memories and war are like chapters to us. For me, war is a timeline, there is a beginning, a middle and an end,” Al-Mutairi told Arab News.

Al-Mutairi’s work brought back faded memories among those he interviewed.

THE RAPIDITYLILY

Abdulmohsen Al-Mutairi, an Arabic-speaking journalist, produced, wrote and directed the film.

Canadian-based Saudi actress Aixa Kay was an eight-year-old living in Riyadh when war broke out.

When Al-Mutairi called her to be one of the interviewees, she realized that she had unknowingly completely skipped that period in her mind and in the conversations.

Abdulmohsen AlMutairi, award-winning documentary filmmaker Memories from the North.

“Honestly, I don’t remember talking about the Gulf War with my family. It was just like “there” and it was done – and we continued. It’s very strange. Like I said in the documentary, it’s so weird that it never happened that we sat down together and said, ‘Do you remember what happened back then? ” Trauma does that. Trauma is about blockage and I think that indicates it was really deep for us,” Kay told Arab News.

Al-Mutairi said he was honored that his work was recognized with the award and the SR30,000 prize, which he sees as a way to rethink and reconsider history.

Al-Mutairi used books, popular TV clips, music and personal photos to stir up nostalgia.

Young Aixa Kay (left) and Aixa Kay today (right)

“I think the best thing about this conference being published now is that all of us – almost all of the attendees – are around the same age. We had our childhood during the war. We are more mature now and have the ability to activate that memory of things that happened 32 years ago,” he said.

He said he first thought of producing the documentary in 2013 or 2014, and actually finished a similar project in 2015.

Although this short work was critically acclaimed, he plans to continue to search for the “best” way to tell the story. This includes producing a feature film in the future.

“A lot of war movies deal with the military aspect or the political aspect, but the most impressive part, for me, is exploring the social aspect and the human side,” he said.

Still from the award-winning documentary Memories from the North.

He said it was difficult to collect all the archival footage and preserve the photos, and decide which stories to use that were the most truthful about the events that unfolded.

In many ways, he uses the war as a way to separate his own life into two main categories: before and after the war. He was about eight or nine years old at the time, and that was the age he started to reflect more deeply on the events happening around him. Today, he encourages viewers of the documentary to try the same with their own lives.

“I think my memories of that time really lurked in the shadows, like flashes from the war. I think the war awoke my memory, and using this documentary is almost like a vehicle to take us on a journey. to go beyond,” he said.

Dhahran’s location for screening at the Saudi Film Festival was particularly meaningful to him.

“The good thing about the screening at Ithra in Dhahran is that it’s the place that was hit many times during the war, actually. We all (everyone who watches the film) live together these flashes of memories that were really happening in the same city as us, so I think that’s a really big projection for me,” he said.


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Maverick, a sequel for all the right reasons https://ghostsofabughraib.org/maverick-a-sequel-for-all-the-right-reasons/ Sun, 12 Jun 2022 22:30:00 +0000 https://ghostsofabughraib.org/maverick-a-sequel-for-all-the-right-reasons/ The following article contains spoilers for Top Gun: Maverick. In today’s film industry, it always seems like studios are eager to jump on the next reboot or sequel to capitalize on collective nostalgia, an appropriate if predictable content strategy. However, Top Gun: Maverick achieves what very few movies can do by bringing a definitive ’80s […]]]>

The following article contains spoilers for Top Gun: Maverick.

In today’s film industry, it always seems like studios are eager to jump on the next reboot or sequel to capitalize on collective nostalgia, an appropriate if predictable content strategy. However, Top Gun: Maverick achieves what very few movies can do by bringing a definitive ’80s classic to 2022 as if not a single year had passed, but with all the modern enhancements expected of a contemporary blockbuster.

GAMER VIDEO OF THE DAY

That said, we have to start by admitting Top Gun: Maverick thrives on nearly every single one of the same escapist elements the original had, a statement that, given the film’s early critical and commercial reception, goes hand-in-hand with it being incredibly entertaining. That’s because Maverick’s childish charms continue to work wonders with audiences who might be more thirsty for a good, old-fashioned, fun movie that perfectly blends art, craft, tricks and strong feelings.

RELATED: Flight Simulator’s Top Gun Maverick Update Explained

Maverick’s Return

Superior gun was an outright hit in 1986, although the film had a relatively modest budget of $15 million which rid Tony Scott’s film of venture business status, it went on to make over 20 times that much, c That’s why it’s such a welcome sight to see Tom Cruise return with even more fancy jets and special effects at his disposal. The actor has said in the past that he is unwilling to reprise his role as the Maverick unless two factors are aligned, one being that advancements in technology progress sufficiently to provide an airplane experience. more satisfying hunting.


In the end, what the two Superior gun the films lack in gripping narratives or complex storytelling which they more than certainly make up for with the high-flying action depicted onscreen. The pure spectacle in Top Gun: Maverick is as good as it gets for Hollywood, with the help of the US Navy so that the film’s flight sequences are all shot in real airplanes, the actors actually having to undergo proper military training to be fit for duty to maintain the g-force air travel.

Authenticity is at an all-time high in Top Gun: Maverick and the story achieves its sole purpose of passing off as an actual character arc for Captain Pete Mitchell, whose life has progressed about exactly the way it needed to for this sequel to make sense. Maverick is far from exhausted, he’s the most accomplished pilot in the Navy, though he never gave up his immature ways, he’s been in every war the United States has fought, his reputation is exactly what the plot needs and his relationship with Goose’s son, Rooster (perfectly cast in Miles Teller), makes him vulnerable.


All in all, it never feels Top Gun: Maverick tries too hard to justify its existence, it’s a perfectly wholesome reminder of great cinema that comes at the perfect time for its signature star, now that Cruise is ready to drop his action-packed adventure in Impossible mission. Above all, maverick is probably a better movie than the original Superior gun for the way it adapts all those 80s cliches to modern cinema and it’s a feat that very few franchises can boast of, just ask the terminator.

They don’t make them like they used to

Despite all the similarities between the two, Top Gun: Maverick breaks the mold by making Pete Mitchell more vulnerable than he’s ever been. Not only does he lose control of his career once Iceman dies, but the audience is also reminded that Maverick could be killed at any moment. In a time when James Bond can die, making audiences feel the genuine fear of losing Maverick is the perfect contrast to the sense of immortality he enjoys in the original.


Speaking of which, Val Kilmer’s cameo also acts as a perfect reminder of how much time has passed since. Superior gun came out, as real health issues saw the former Batman overcoming throat cancer in a battle that was chronicled in its own documentary and is also discussed in maverick to explain the limited role of the admiral. It’s all meant to be a make-believe drama, except it’s not, as this may be one of Kilmer’s last roles, if not his last film appearance.

It might not be so obvious at first, but Maverick must have grown over all these years, and seeing Cruise ready to go on a deadly mission after saying his goodbyes is just as profitable as the film’s final minutes. . be. Don’t make a mistake, Top Gun: Maverick is an absolute showcase of militarism, flashy multi-million killing machines, and the star power of Tom Cruise, but it’s pretty classy in the way it handles those topics or, at the very least, as modest as the original .


First of all, it’s really about Top Gun: Maverick Being an absolutely fantastic movie, it might not be the deepest or the most thoughtful, but that’s not really what it’s aiming for. Unlike so many others, maverick isn’t meant to be a sequel setting up another sequel or a soulless cash grab, it’s Cruise’s dispatch to one of cinema’s most iconic characters, and that’s incredibly entertaining doing this.

Top Gun: Maverick is currently in theaters.

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