Film reveals life in Ukraine, then and now – The Free Weekly


BECCA MARTIN-BROWN
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Thanks to Montopolis, an Austin, Texas-based independent chamber music group, and a new score, a 1929 silent film ‘gives historical context to Russia’s invasion’ of Ukraine, composer says Justin Sherburn.

“’The Man with the Camera’ was mostly shot in Ukraine,” explains the founder of Montopolis. “For obvious reasons, the film is more relevant than ever. … It shows that the people there are NOT in crisis, but just living their lives like anyone else. Work, play and relax with their families.

Sherburn made a name for himself in 2009 when he was approached by a director to write and perform the music for a theatrical adaptation of the French film ‘Le Ballon Rouge’.

“I was a sideman in rock, country, tango and jazz bands for many years, but it was the first time I composed and arranged for a modern classical chamber band,” he recalls . “I enjoyed the process, and after production ended, the players continued with me to form Montopolis.

“In the beginning, working on these silent films was a way for me to practice composing and learn how to arrange things,” he explains. “After a few films, I started to develop a coherent approach. I tend to write music for those films that don’t fit the period. We gave one of the first samurai movies ever made, “Orochi: The Serpent,” proto-punk garage rock, MC5 and Stooges, some seriously fun music. We gave an old western, “The Tollgate”, a traditional tango score. »

“I was actively looking for silent films when I came across ‘The Man with the Movie Camera’ in 2010,” Sherburn continues. “I was amazed at how modern the film was. A lot of old silent films are quite boring and slow-paced. This film feels like a modern music video. It’s exciting, abstract, weird and dynamic. It invites you to experiment musically. Plus, there are no dialogue cards to slow down the action. It’s a visual roller coaster ride from start to finish.

The presentation is the first hosted by the two-year-old Cinema of the Ozarks, founded by Jason Murphy as Northwest Arkansas’ first nonprofit “art house filmmaking organization.”

Justin Sherburn

“We both knew about the film, but I hadn’t heard of Montopolis, so it was fantastic to get to know their work, which is so unique and couldn’t have come at a more necessary time given terrible circumstances in Ukraine,” said Robbie Wilson, Executive Director of Development for Cinema of the Ozarks. “The story sometimes seems cyclical, because in 1919 Ukraine was attacked much like in our time, so I see parallels to the story in addition to the juxtaposition of the original intent of the film – the propaganda – and the beautiful transformation of Montopolis’ presentation of it. The score features these amazing patterns of beautiful Eastern European folk melodies, some of which are Ukrainian, so it’s a musical and artistic triumph over to the original objective of the film.

Directed by Dziga Vertov and filmed by his brother, Mikhail Kaufman, in the cities of kyiv, Kharkiv and Odessa, “The Man with the Camera” was revolutionary both in its cinematographic techniques and in the absence of actors, shot with place using Soviet citizens “interacting with the workings of modern life. Although it was widely dismissed upon release, the British Film Institute’s 2012 Sight & Sound poll voted it the eighth greatest film The iconic film critic Roger Ebert wrote: “He made explicit and poetic the amazing gift that cinema has made possible, of arranging what we see, of ordering it, of imposing a rhythm and a language, and to transcend it.”

Sherburn’s first score for the film was “mostly indie rock…which was more like the Flaming Lips and Arcade Fire”. But in the new version, which audiences will see and hear April 16 at Rogers, he incorporated “more traditional Ukrainian folk melodies, the Ukrainian national anthem and some pieces by Valentin Silvestrov, my favorite Ukrainian composer.”

There are no actors in the 1929 silent film “The Man with the Movie Camera,” unless you count the cameraman. (Courtesy of Photo/Cinema of the Ozarks)

“I hope the film and the live score will help our audience to understand even more deeply the plight of the Ukrainian people and to take action by donating to reliable and effective charities and lobbying their representatives to do what they can to end the war,” he said. said. “I also hope our audience has a great time, sees iconic artwork, and enjoys the music.”

Cinema of the Ozarks is just beginning its quest to offer “a wide array of programming that features exciting new Hollywood releases, as well as independent studio films, documentaries and foreign films that people here rarely, if ever, have. had the opportunity to see on the big screen,” says Wilson. “The Man with a Movie Camera” also serves the group’s mission to “reach out and connect with the community to promote thoughtful dialogue on the important issues of the day through film, and to educate people of all ages on the humanities through the arts of cinema.

“We’ll be everywhere,” Wilson said.

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FAQs

“The Man with a Movie Camera”

With Montopolis

WHEN — 7 p.m. April 16

WHERE – Arkansas Public Theater at Victory in Rogers

COST — $12

INFO — arkansaspublictheatre.org, cinemaozk.org


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