From Logan Lucky to Now You See Me, here are the 12 best heist movies of all time
Who doesn’t love a good heist movie? The heist thriller is a crowd favorite for good reason, whether it’s a Bank robbery, a jewelry burglary, an extended scam, or any combination of the three. Sure, we all understand and follow the standards of an orderly, law-abiding life, but it’s so much fun to watch people violate them for profit and power. It’s no surprise that there are so many standout heist movies: few moviegoers can resist the genre’s distinct appeal.
However, heist films have been one of the most notable genres in cinema since they originated from film noir. They’ve had an entirely platinum-plated structure since day one, and the benefit of such a solid skeleton is that it gives writers and directors a great platform to subvert and innovate knowing that no matter how distance they move away from the base, there I will be there to move things in the right direction.
Interestingly, this base also offers great creative flexibility. For every bright and airy escapade in which criminals have a heart of gold, there’s a dark, blood-splattered look into the darkest corners of the criminal underworld. Characters can range from inexperienced beginners to seasoned pros and everything in between. The film does its job as long as it keeps us interested and perhaps makes us think about whether or not we could achieve it on our own. In any case, here are our recommendations for the top 12 heist movies all time.
Here’s a compilation of the best heist movies of all time
The “Heist Master” behind the Oceans trilogy, Steven Soderbergh, leads this dark crime comedy about two guys trying to make their way out of the middle of nowhere in America. The plot revolves around the Logan brothers, played by Adam Driver and Channing Tatum, who plot an elaborate plan to plunder a North Carolina racetrack, and the tangled web they find themselves trapped in while trying to evade the FBI. . The film also proved, before it did in Knives Out, that Daniel Craig can be incredibly humorous.
Now you see me
The talent pool of Now You See Me rivals that of any other film on this list. The film is directed by Louis Leterrier (The Incredible Hulk) and written by Ed Solomon (No Sudden Move), Boaz Yakin (Remember the Titans, director) and Edward Ricourt (Jessica Jones). It’s a hilarious, effects-driven heist film that reunites Zombieland’s Jesse Eisenberg and Woody Harrelson as two of the Four Horsemen, a troupe of magicians who rob banks as part of a theatrical spectacle. Dave Franco (The Disaster Artist) and Isla Fisher complete the Four Horsemen (Hot Rod). The Horsemen are prosecuted by law enforcement authorities for frequently stealing and donating money to banks around the world.
A former runaway driver is blackmailed into participating in a job or his girlfriend would be hurt, but things go horribly wrong when their gun dealers turn out to be undercover cops. Baby Driver, a treasure trove of Edgar Wright, the cult filmmaker behind Spaced and Shaun of the Dead, is a high-octane chase with some seriously powerful music behind all the screeching brakes.
Ocean’s 11 is still considered one of the best remakes, ensemble casts, and heist movies of all time, even after more than two decades. The star ensemble of attractive criminals, their daring break-in to Bellagio’s vault, and use of non-linear storytelling combine to create one of the most stylish and entertaining films of the new century.
Shimmer Lake is one of Netflix’s greatest undiscovered treasures. He acknowledges that sometimes it’s not the narrative that’s important, but the way the subject matter is delivered. The bank robbery, murders and ensuing manhunt unfold in reverse over the course of a week. Everything, like in Memento, is a mystery, and the events make little sense until the audience has the context.
With Widows, writer/director Steve McQueen (12 Years a Slave) and writer Gillian Flynn (Gone Girl) have collaborated to create one of the most breathtaking and nerve-wracking heist films of recent years. . The film begins with a failed job and the thieves’ wives have left to pay the loan. Viola Davis (How to Get Away With Murder) contacts each widow to inform her of her debt and her alternatives before proceeding with the final heist her husband has planned in his notebook, which she received after his death.
The asphalt jungle
Jean Pierre Melville once called John Huston’s film noir “the greatest film ever made”. There is no denying the influence of John Huston’s film noir on cinema. It has all the heist movie stereotypes, from Doc (Sam Jaffe) as a genius with a penchant for gorgeous women to Sterling Hayden’s Dix, a heavyweight with hidden depths. “Asphalt Jungle”, with the memorable phrase “just a form of human effort for lefties”, is the quintessential heist image and an obvious influence on “Reservoir Dogs”, among many others.
Inside the man
As wonderful as Spike Lee’s second streak of golden films was, it’s a little disheartening that Inside Man was his latest popular big-budget hit. The heist starts early, and it’s complicated involving thieves disguised as decorators, a complex hostage-swapping scheme, and records of the late Albanian dictator Enver Hoxha. As a result, it quickly transitions from thriller to why, with Denzel Washington and Chiwetl Ejiofor pursuing criminal kingpin Clive Owen. It’s a great cerebral blockbuster thriller, as you’d expect from Lee, and no one shoots New York with the intensity and wit that it does.
The ant Man
While Edgar Wright’s Ant-Man will be remembered as one of the best contemporary “what if” comic book films, Peyton Reed’s Ant-Man will be remembered as one of Marvel’s greatest origin tales. more underestimated. It combines the comic book movie and heist movie subgenres into an engaging display of visual effects and superhuman action. As Scott Lang, a kind-hearted thief accused by Hank Pym (Michael Douglas) of sneaking into Hank’s old company and taking over his life’s work, Paul Rudd signed off on his casting.
army of the dead
Army of the Dead is a bloody, inventive and action-packed mashup. It’s bold in its reimagining of what a zombie and heist movie is. Dave Bautista (Guardians of the Galaxy) gathers and leads a squad of mercenaries and miscreants on a mission to crack and clear a safe under the Las Vegas Strip, an area cut off from the rest of the United States due to an infestation of zombies.
The neo-noir crime and heist thriller starring Ryan Gosling remains a gem of modern cinema, backed by searing music from Cliff Martinez and spectacular illumination from cinematographer Newton Thomas Sigel (X-Men: Days of Future Past ). The driver, played by Ryan Gosling, is a moonlit stuntman working as a helmsman for the Los Angeles underworld. His background, motivations, and aspirations are all left to interpretation, making his personality as enigmatic as it is effective.
Against all odds
Hell or High Water is the story of two Texas brothers who steal money when their mother dies. It is both contemplative and exhilarating. It was one of the biggest films of 2016, receiving four Oscar nominations, including Best Original Screenplay, Best Performance by an Actor in a Supporting Role (Jeff Bridges), and Best Picture. Taylor Sheridan’s (Sicario) screenplay is a vehement indictment of the current state of the American capitalist system and how it is failing the majority of the working class. It’s clever and fun, and the ensemble of great character performers adds warmth and life to the play, making it something remarkable to behold.
Do you have any additions to this compilation? Share your opinions with us in the comments below.
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