Modern Love and Honor at the Tribeca Film Festival
NEW YORK – After the Tribeca Film Festival 2022 AWARD WINNERS were named on June 16, the festival begins its final weekend, which is the last opportunity to take advantage of
TRIBECAatHOME to view the festival selections.
The 2022 Tribeca Festival, presented by Crypto Platform OKXbrings together diverse artists and audiences to celebrate storytelling in all its forms, including film, TV, VR, games, music and online work. With strong roots in independent cinema, Tribeca is a platform for creative expression and immersive entertainment.
The year between
Photo credit: TribecaFilm.com
The Tribeca Film Festival was founded in 2002 by Jane Rosenthal, Craig Hatkoff and actor Robert De Niro in response to the September 11, 2001 attacks in New York City and the nearby neighborhood of Tribeca. The 2022 edition will present 110 feature films from 150 filmmakers in 40 countries, and will have screenings and awards for WE Narrative Films, World Narrative Films, Short Film Competition, Best Documentary, the Spotlight Competition and Best New Narrative and Documentary Filmmakers, among his presentations.
MOVIES OF TRIBECA: Opinions on the capsules
“The Year Between” – Another unique cinematic vision from Chicago-based production house Full Spectrum Features. Alex Heller wrote and directed his first feature film and plays Clémence, a dropout who has been diagnosed with bipolar disorder. While such mental conditions are difficult to capture in storytelling, Heller as Clemence is a marvel, coming home to torture her parents (Steve Buscemi and J Smith-Cameron) and siblings (Emily Robinson and Wyatt Oleff) as she works on the affliction. What stands out most about the film is the inherent humanity and the moments of absurdity when working on a problem of the mind, as well as the harsh sentences, pharmaceuticals, and doctors. Each of the secondary characters contributes to Clémence’s ordeal by bouncing off it, but the resilience of the family stands out without being too sentimental or inauthentic… Buscemi is particularly good at achieving this balance. It’s a stellar debut from Alex Heller on both sides of the camera.
“My love affair with marriage” – One of the telltale features of the digital age of animation, which continues to produce artistic gold on every level, is its use as a canvas for wacky introspection. “My love affair with marriage” is a particularly striking example of this, since filmmaker Signe Baumane tells the story of Zelma, a somewhat ordinary woman who is guided in her love life by the mysterious inner biology that often deceives her ( explained like a science movie by a talking nerve cell) and an inner choir trio who express the energies of his decisions through fun songs. The film is a good reminder that we are influenced by evolutionary ions and often confuse our natural biology with deeper emotions. The movie isn’t cynical about love, just more realistic about that old black magic. The animation is also fun, especially as the characters blend together and how this singing choir is portrayed over the years. The maturation of the animated form – something that began long ago as a market for children’s entertainment – has been one of the most defining artistic celebrations of the last generation.
“After Sherman” – Since George Floyd, there have been several introspective cinematic works of black Americans, seeking reconciliation through the storm. “After Sherman” refers to the post-Civil War agreement that William Tecumseh Sherman crafted for the emancipated slaves of coastal South Carolina…the famous “forty acres and a mule” rights for those freed people. Jon-Sesrie Goff, the son of prominent activist preacher Dr. Norvel Goff, explores the ancestry of this region and its slow dissolution through events like the Great Migration in the early 20th century, to the land grab by the sea for valuable goods. African hybrid “Gullah” peoples are part of the mix, as well as some of the black families who have kept the land. It’s mostly a visual prose poem, grounded in history and challenges — the 2015 black church mass shootings in Charleston have a place in history — as Goff ponders culture. , the roots and the continuing decline of race relations in America.
“Three-Headed Beast” – Modern love gets another edge as Gen Z discovers through this one-of-a-kind work of pure cinema from writers/directors Fernando Andrés and Tyler Rugh. It’s about an eight-year-old couple, podcast lovers Nina (Dani Hurtado) and landscaper Paul (Jacob Schatz), who have lived together since college through an open arrangement…they can explore connections outside of their home. Nina was the main motivator of the arrangement and was its sole practitioner for the first four years, until she encouraged Peter to explore his bisexuality with Alex (Cody Shook). Complications arise when Peter and Alex seem to go further than expected, while at the same time she wants more stability at home. There’s little to no dialogue in the film – except for the love podcast Nina listens to – but more of a story told through images, including an exposition of split screens between the polyamorous trio. The film communicates that this arrangement requires adjustment in emotional behavior that mere humans often cannot make, and builds toward a future that may be different for this three-headed being.
Trailer for “The Three-Headed Beast”…
For more Tribeca Film Fest capsule reviews, click here and here.