Netflix’s Elvis, Day Shift and all the other new movies to watch at home

This week, the new movies available to watch at home are led by a big theatrical release that’s finally coming to home video and an exciting Netflix movie that’s a bit of a throwback.

We must first talk about Elvis. Baz Luhrmann’s maximalist approach is a perfect vehicle for a story about one of the most legendary figures in American pop culture, and he’s finally available to watch at home if you, like me, couldn’t. go to the theater.

The other highlight is that of Netflix Day shift, an action-comedy-horror vampire-hunting hybrid from debut director and legendary stuntman JJ Perry, starring Jamie Foxx, Dave Franco and Snoop Dogg. It’s a blast and a throwback to a bygone era of action cinema.

In addition to these two films, there are a pair of children’s films, a documentary on Princess Diana, David Cronenberg Future Crimes and Alex Garland Men at reduced rental prices, and much more.

Let’s go!


Elvis

Where to watch: Available to rent or buy for $19.99 on Amazon, Apple, Vudu

Image: Warner Bros.

Baz Luhrmann’s biopic of the King of Rock ‘n’ Roll stars Austin Butler (Once upon a time in Hollywood) as a legendary musician and Tom Hanks as his promoter, Colonel Tom Parker. In our opinion:

It turns out that the crucial casting choice is not the actor, but the director. Baz Luhrmann is exactly what an Elvis biography needs: he has no restraint, no shame and no self-awareness. He is the only filmmaker capable of approaching the legend of Elvis Presley with the high level of camp and the emotional sincerity that it deserves.

While you’re in the mood, why not check out our list of great biopics about the musicians or best movies from Elvis’ acting career?

Day shift

Where to watch: Available to stream on Netflix

Jamie Foxx in Netflix's Day Shift

Picture: Netflix

This new action-horror comedy is the feature debut of longtime stuntman and action coordinator JJ Perry. It’s in many ways a throwback to the comedic action films of 30 years ago, but with modernized choreography. Jamie Foxx plays a vampire hunter in desperate need of money, teaming up with a representative of the Vampire Hunters Union (Dave Franco) and an old friend (Snoop Dogg) to try for a big score.

In our opinion:

The refreshing stakes and the way the mundane and supernatural blend effortlessly here are just two of the ways Day shift will remind discerning viewers of the many 80s and 90s video library staples to which the film is so clearly a love letter. the lost boys, Dead Heatand scary night all get their separate tributes, among other films. Some of these references are presented in a subtle way and intended only for the most dedicated moviegoers. Others howl, affectionate cries.

Secret headquarters

Where to watch: Available to stream on Paramount Plus

Owen Wilson in his Secret Headquarters super suit, which roughly resembles Iron Man's gray armor, with more segmentation

Photo: Hopper Stone/Paramount Pictures

Owen Wilson is an Iron Man and Green Lantern hybrid in this kid-centric superhero film, from Catfish and Nerve directors Ariel Schulman and Henry Joost.

In our opinion:

When Secret headquarters delivers kid-friendly fun with super-powered gadgets, it shines. When it focuses on the conflict between Charlie and his father, and the consequences of being a masked vigilante on family life, the film stands out from other entries in the “kids discover superpowers and /or super gadgets”. It might put a little less emphasis on serious adult issues, but when Joost and Schulman reduce the plot to smaller stakes and dumber antics, Secret headquarters turns out to be a fun and heartwarming adventure.

Future Crimes

Where to watch: Available to rent for $5.99 on Apple, Amazon, Google

Kristen Stewart and Viggo Mortensen spend a moment in front of a bright window in Future Crimes

Image: NEON

David Cronenberg’s latest body horror adventure stars Viggo Mortensen, Léa Seydoux and Kristen Stewart. There’s no better time to revisit Cronenberg’s story with the genre he’s long championed.

In our opinion:

There are disconcerting moments, horrific moments, and even a few flashes of gnarly in his relatively recent movies, like Maps to the stars and Cosmopolis (both with Stewart Dusk co-star Robert Pattinson; Taylor Lautner has to do kick-flips while waiting by the phone.) But felonies is Cronenberg’s first full-length sci-fi/horror film since 1999’s Playful Game Odyssey exist. His return to genre territory is both more extreme and less. exist is a friendlier journey for the delicate, but despite felonies‘ explicitly surgical moments, it’s a more contemplative, sometimes recessive film. You might even call it a mood piece.

Men

Where to watch: Available to rent for $5.99 on Amazon, Apple, Vudu

Rory Kinnear chats with Jessie Buckley in a pub in Men

Photo: Kevin Baker/A24

Alex Garland (Ex-Machina, Annihilation) returns with this horror film about a young woman (Jessie Buckley) who flees to the countryside after a traumatic experience with her husband, only to meet a group of very strange men (Rory Kinnear) who share the same face.

In our opinion:

Meaning and purpose apart, Men is a sensualist’s dream. Garland and cinematographer Rob Hardy (who also shot Ex-Machina and Annihilation) give the film a breathtaking visual sharpness, with vivid colors and infinitely surprising images. Simple shots of a moss covered tree or ripples of raindrops in a puddle are almost stunningly beautiful. The music, by Ben Salisbury and Geoff Barrow of Portishead – who also collaborated on Garland’s previous two films – blends ambient noise and music with Buckley’s vocalizations, sometimes to haunting effect, such as when she explores echo. of a tunnel by harmonizing with his own voice. Later, a scream of pent-up emotional pain creeps so completely into the soundtrack that it might as well be something Harper thinks about more than something she actually does.

Happy birthday

Where to watch: Available to stream on Netflix

Two old women hold guns dazzled in Happy Birthday

Picture: Netflix

This surreal Telugu-language crime comedy is set in a fictional country where a law is passed making it compulsory to own firearms. The film follows a group of people at a fancy hotel that forces guests to have guns, and a series of incidents that ensue.

Code name: Emperor

Where to watch: Available to stream on Netflix

Three people stand around a computer in Code Name: Emperor.

Picture: Netflix

This Spanish action thriller follows a moral dilemma for a secret agent when asked to frame an innocent politician.

song of the heart

Where to watch: Available to stream on Netflix

The singer of Heartsong

Picture: Netflix

song of the heart is a musical romantic drama from Turkey, following a nomadic folk musician from the Dom people who falls in love with the bride of a wedding he has been hired to perform at. The film features a lot of Dom folk music.

Bank Robbers: The Last Big Heist

Where to watch: Available to stream on Netflix

Fernando Araujo shows a blueprint in Bank Robbers: The Last Great Heist.

Picture: Netflix

Argentina’s most famous bank robbery is investigated in this true crime documentary, when five masked thieves took 23 people hostage and robbed a bank in broad daylight in 2006.

Commercial Pakka

Where to watch: Available to stream on Netflix

A man wears sunglasses and throws his coat over his shoulder in Pakka Commercial.

Picture: Netflix

Another Telugu language comedy hitting Netflix this week, this one is a courtroom action comedy about a lawyer dealing with a controversial client. His relationship with the client puts him in conflict with his ex-judge father.

Stay on Board: The Leo Baker Story

Where to watch: Available to stream on Netflix

Leo Bakers grinds his skateboard on a bench in Stay on Board: The Leo Baker Story.

Picture: Netflix

This documentary tells the story of revolutionary skateboarder Leo Baker, who won gold at the 2014 Summer X Games and is also one of the hottest trans athletes in the sport.

13: The Musical

Where to watch: Available to stream on Netflix

Ramon Reed as Eddie, Frankie McNellis as Lucy, Eli Golden as Evan, Shechinah Mpumlwana as Cassie, Gabriella Uhl as Patrice, Khiyla Aynne as Charlotte, Luke Islam as Carlos in 13 The Musical

Photo: Alan Markfield/Netflix

The film adaptation of the 2007 musical from Jason Robert Brown, Robert Horn and Dan Elish follows a boy who moves from New York to Indiana and wants to have a bar mitzvah that will be remembered in his new surroundings.

Princess

Where to watch: Available to stream on HBO Max

Diana, Princess of Wales wears bright red

Picture: HBO

Not to be confused with the recently released Hulu action movie of the same name, this Princess is a documentary about Princess Diana from Oscar-nominated documentarian Ed Perkins (Black sheep).

I love my father

Where to watch: Available to rent for $6.99 on Apple, Vudu

James Morosini and Patton Oswalt in I Love My Dad

Image: Magnolia Pictures

An irreverent comedy based on a true story, Patton Oswalt stars as a father trying to connect with his estranged son by posing as a woman online. Yes, he’s trying to fish for his own son (played by writer/director James Morosini, whose story is based on real-life experience).

like a woman

Where to watch: Available to rent for $5.99 on Apple, Amazon, Vudu

Elena Kampouris and Jonathan Rhys Meyers in WifeLike.

Image: Primordial Images

An R-rated sci-fi thriller, like a woman follows a detective (Jonathan Rhys Meyers) who recently lost his wife and is assigned an AI companion (Elena Kampouris) designed to act like her. As a result, he is drawn into a conflict with a resistance group trying to end the practice, as the AI ​​companion begins to recall memories that aren’t exactly his own.

In our opinion:

Rather than elaborating on the difficult and unbalanced relationship between these two specific characters, like a woman digs out a thinly concealed subtext and presents it proudly in text form: men subjugate women, and if their attempts are thwarted, they will invent new women to subjugate others. There are times when the film seems poised to provocatively recast grief and loneliness as catch-all excuses for male misdeeds, but Bird strays from that by not including any genuinely grieving major characters. It’s just another interesting idea that the film picks up and drops.


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