Q&A: Chloe Liese, author of “Two Wrongs Make a Right”

[ad_1]

We’re excited to chat with author Chloe Liese about her latest novel, Two wrongs make one right. Even though Jamie and Bea are complete opposites, their friends urge them to date. Once Jamie and Bea realize they’ve been tricked, they hatch a plan to get revenge on their intruding friends: They’ll pretend to date, pretend to fall in love, and then have a horrible breakup. While pretending to be madly in love, Jamie and Bea begin to wonder if their friends’ pairing wasn’t so weird after all.

Hello Chloe, thank you so much for joining us! To start, can you tell us a bit about yourself?

Thank you for! My name is Chloe Liese, and I write slow-burn romance novels, affirming my belief that everyone deserves a romance. As a neurodivergent person living with chronic illnesses, this message is close to my heart and the heartbeat of my storytelling. I have previously independently published the Bergman Brothers series, which are interconnected standalone series featuring a different brother and their love interest for each book, and my traditional publishing debut with Berkley Romance, Two wrongs make one righta modern reimagining of A lot of noise for nothing, releases November 22, 2022.

What sets Two wrongs make one right apart from other romance novels?

Like any romance novel, Two wrongs make one right shares some fundamental similarities with many of its genre – the tropes, the beats, the overall story arc to happily ever after. However, some things that make it its own story and (hopefully) a fresh and engaging reading experience is that it’s a Shakespearean tale and features neurodivergent protagonists, as well than an inclusive and diverse cast of characters.

What inspired you to write a new version of Shakespeare A lot of noise for nothing?

I am a Shakespeare lover who grew up reading his plays, seeing them performed, and watching film and television adaptations. Although I’ve read some fabulous Austen tales of the romance genre, I haven’t come across a ton of Shakespeare tales, so I had thought of writing one. During the first months of the pandemic, I was comfortable seeing A lot of noise for nothing adapted for the cinema, with Emma Thompson and Kenneth Branagh, and I had this epiphany while watching it: in the play, Benedick and Beatrice only discover at the end of the story that they have been brought to realize their feelings for each other under false pretenses, and they’re too in love to care, but, What if they had discovered it earlier in the story? They would have been livid! I started thinking about how the concept of a group program to match Benedick and Beatrice might need to be adjusted to translate into a modern setting, how I might update it to feel relatable and appealing. sure it translated well, and I realized it would be perfect if I gave Benedick and Beatrice the chance to resist manipulation. If they realized they had been tricked into dating earlier, when they were both still so determined to see the worst in each other, they would still have that delicious friction but also a common goal. to take revenge on those who deceived them. their. I loved the idea of ​​two people who had decided they were incompatible and had written off, being united by a plot for revenge, determined to prove their friends wrong about their love compatibility, only only to realize that maybe their friends weren’t so wrong after all.

Do you have tattoos like Bea? Or if you were to get a tattoo, what would you get?

I don’t, but I have a small notebook of ideas, and I think I’m finally ready to commit to my first one. I intend to achieve an image that speaks to my sense of myself and my vision for my life – perseverance, hard work, resilience, joy and hope.

Can you tell us a bit more about the inspiration behind Bea’s art?

As an open-door romance writer (meaning the metaphorical door to my protagonists’ bedroom is open to the reader – I include the physical intimacy between them on the page), I have rubbed shoulders with other creators who seek to destigmatize shame and guilt in the face of pleasure, sexuality and sensuality through their art. I’ve met some really talented erotic artists who celebrate realistic, beautifully imperfect bodies that experience pleasure with themselves and others, and I thought this was such a perfect career for my autistic, sex-free heroine. mind, Bea. She is unapologetically herself and a very sensual person. It’s also a very nice metaphor and a meeting ground for her and Jamie, who is a doctor, tense and starchy. Although they come from very different perspectives, they both have a reverence and admiration for the human body. Although at the surface level it seems like an erotic artist and a pediatrician couldn’t have less in common, when they dig deeper they see how they have both shaped and steered their careers towards honor. and the celebration of the wonder of the human body.

What is the main message you want readers to remember? Two wrongs make one right?

As with every book I write, my message is that each of us deserves a love story if we want one, that each of us deserves to be fully seen and loved for everything of who we are. In Two wrongs make one right, Jamie and Bea are certainly off to a bad start, and they’re determined not to fall in love, but it’s in the safety of pretending as they fake a date that they feel brave enough to genuinely share each other. with each other and take deep care to make the other feel safe, known and ultimately loved. I hope their journey as characters in this book is a heartwarming and joyful reading experience that affirms for my readers that they too are worthy of a love story like this, a story that is built on starting from the work of mutual trust, of caring for each other’s vulnerabilities and the genuine desire to know and love not only the easy aspects but also the difficult to entrust aspects of their lives.

Did you encounter any difficulties while writing Two wrongs make one right and, if so, how did you overcome them?

See also

Writing a book is always a challenge – the self-doubt arises when you conceptualize it, revising it can feel so overwhelming when discerning what needs to be cut and what needs to be expanded to best develop the story arc, themes , and message, but really, even navigating those typical challenges, this book was a joy to write, from start to finish. I wrote it during a difficult time in the world and in my own life, and I’m so grateful for the joy it gave me, the hope it reminded me to hold on to.

Are you able to tease if there are sequels or a companion novel for Two wrongs make one right (perhaps with Bea’s sisters)?

I am delighted to say that there will be two more books in this world, both Shakespeare stories, and yes, they are for the two remaining sisters, Juliet and Kate!

What’s next for you?

Next comes the sixth book of my published indie Bergman Brothers series, which will be released in the first half of 2023, then the second book of the Sister Wilmot series with Berkley, which will be released in the second half of 2023.

Finally, what were some of your favorite reads in 2022? Are there any 2023 releases our readers should pay attention to?

I’ve enjoyed so many amazing books this year, so this is by no means an exhaustive list, but some fabulous reads that come to mind are: The Top Secret Society of Irregular Witches by Sangu Mandanna, The League of Kind Witches by India Holton, You are mean, Matthew Prince by Timothy Janovsky As if by magic by Sarah Hogle Lizzie Blake’s best mistake by Mazey Eddings, Kiss her once for me by Alison Cochrun, and Pride and protest by Nikki Payne.

[ad_2]
Source link

Comments are closed.