Reviews: The Capture | Reviews
The Capture, BBC1
“That nonsense was a shame, because The Capture was utterly engrossing as far as set pieces go. The episode in which two hitmen advanced towards the hospital room of distressed DS Patrick Flynn (Cavan Clerkin) was a masterpiece of tension. And the whole series succeeded in throwing the viewer off balance by making us question what we were seeing. Yet the plot moved so quickly in the last episode that I had to hard to keep up with what was going on. When did Carey put together her deep fake, which replaced the original deep fake, which replaced the non-deep fake interview with Khadija Khan? And was it really necessary for DSU Garland (Lia Williams) fakes Frank Napier’s CT scans? The ending was satisfying, as the “correction” program was finally exposed. The most wrong thing of all though: that anyone could time a car ride through the capital to stop at Piccadilly Circus at a specific time.
Anita Singh, The Telegraph
“The Capture ended with a 70-minute finale that was implausible, elaborate, silly and had more twists and turns than a cheap garden hose. It was also fabulously entertaining. There are lazy TV series and there are some that piggyback on to keep you on your toes until the last frame.The Capture definitely fell into the latter camp, for which writer Ben Chanan deserves credit…Although the deep premise is (hopefully le) a little far-fetched, it’s not entirely beyond the bounds of possibility for the future.The post as portrayed by the fake Isaac Turner was oddly appropriate in an age of fake news and imagery corrupt: “We must question everything we are told and question everything we see.”
Carol Midgley, The Times
“The series did, however, dramatize some significant real-world issues, primarily political manipulation through data processing.”
Gérard Gilbert, The i
The Boys of Brazil: The Rise of the Bolsonaros, BBC2
“What have we learned from all of this? That if the Liberal Democrats could find a charismatic leader and social media genius, they might surprise us all. A program that tries to understand the British sense of humor must either have new and profound things to say, or a series of good gags.
Roland White, Daily Mail
Greatest British Obsessions, Sky Story
“I could have done with more Harry Hill meeting funny people and less with the celebrity panel, which included Suggs of Madness, Chris Packham, Lorraine Kelly, Liza Tarbuck and comedian Reginald D. Hunter (although Hunter was admittedly good on the differences between American and British humor. Americans, he says, don’t understand sarcasm). At one point, Harry interviewed actress Bonnie Langford, who was introduced as an expert in pantomime. But is she really?
Roland White, Daily Mail
The Anthrax Attacks: In the Shadow of 9/11, Netflix
“A bold change in dramatized scenes, featuring an excellent Clark Gregg as the mercurial, troubled defendant, deftly sketches the character of a man who is either obviously the killer or someone likely to become a scapegoat, depending on who is watching. A haunting and infuriating true story – told here with precision – ends with the ending a fiction writer would choose if they wanted to explore how, at the most important moment, official accounts of events have a frightening tendency to become incomplete.
Jack Seale, the keeper